Monday, May 30, 2011

The Bus at Night

The drink of the night --
caressed and stumbling.
Slurred meth and lost teeth.
I watch the honey pour out
on hand tattoos and missed stops.
The eyeliner smudged, the eyeliner
questioning like language.

A body of winkles, a face
of aged crevices, the weathered
blankets below the eyes --
those shallow creatures of quiet remorse.

A man enters the bus, removes his bags,
and puts on a very large, black mustache.
He stands and looks at his reflection
in the glass.

Another pours whiskey into a half
empty coke can. The bus
stinks of the stuff.

A body shakes violently impatient.
She carries a bouquet of flowers
with her everywhere.

The scent of her fabric
stays with me through the night.
The weave of her skin:
braille to my fingers.

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Thursday, May 26, 2011

While

While the boy sucked on sugar cubes
while Susan huddled under the bridge out of the rain
while Thomas doubted
while the bus driver watched in disbelief
while the husband thought of nothing
while the stench of peanut butter wafted up
while Penelope wandered the streets looking for love
while hundreds and hundreds of ants invaded
while Joseph became irritated by triviality
while mustaches quivered
while Megan poured cereal into a rather large bowl
while french fries fried in a grimy McDonald's
while rest area restrooms were closed for renovation
while a hungry bear searched for food
while the villagers played soccer
while Johan cuddled the kitten he found in the ditch
while the planets kept spinning and the universe expanding,
I prayed for an end to this poem
and you hoped for resolution.

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This work by Scott Stewart is licensed under a Creative Commons Attribution 3.0 Unported License.

Sunday, May 8, 2011

Poem While Listening to Sergei Prokofiev's Piano Concerto No. 3 1st Movement

It begins, the light shines through the window.
Stronger still, she holds me and reverberates my song.
I can feel the life now, at the root of her tongue.
The harvest is quick. No one remembers my name.
She calls out to me and I do not call out to her,
it is useless and sad against the bark of the tree.
The mechanism of love rings truth to bathe in.
Our passion (though hidden) is naked before God.
Yeses and noes play a seesaw of formation.
Little by little, little by little: acquiesce.
The spring has come and love come undone,
this is the act of creation: acquiescence.
The mouse finds its home, the mouse finds it home.
The mouse does not find its home. I am home.
Running slowly downstairs uncovers nothing.
Running quickly upstairs shows, thankfully, nothing.
I am a rabbit of melancholy. She is the ocean.
Deeper now, deeper still, the legs of a chair.
Rustic winds and the underlining forgotten metaphor.
Wrestling with or against the ebbing tides,
I am an overturned apostrophe.
She steals glances of my broad smile.
There is quiet now, the light still shines through the window.
It started with a pace and more than halfway through it continues.
There is a dance we are reconstructing, an old dance
of placid grass in the rain. I am home.
She hums the same tune she has hummed for years.
I listen apprehensively, making notes here or there.
It reminds me of jazz, but I do not dare mention it.
My eyelids are heavy now, but my heart beats strong.
She tries to tickle me. I am not ticklish,
but I pretend to be because it brings her delight.
There is another swell, then movement again.
Breath.
Then silence.

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Saturday, April 30, 2011

Politely, I think

I've got no real answer
for the question
"I don't know, you know?"

---------------------------

I have little doubt
and that brings me
great joy.

---------------------------

She prepared her lips
for their first kiss.
It was forgotten.

---------------------------

Paintings of sunsets
bring tears to my eyes
because they're terrible.

---------------------------

A hundred times over,
I will get you a spoon when
you promise to eat correctly.

---------------------------

The darkness falls.
The waterfall falls.
I fall out of love.

---------------------------

I believe pessimists
never fully understand
the meaning of life.

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Friday, April 22, 2011

Let Us Begin

Let us begin,
dust the dust off the typewriter and truly begin,
letter after letter, word after word,
the bending silence of the gracious echoing,
a humble beginning, the little gallop of the television,
grandfather hides his pain and smiles so that you know everything is okay and everything will be okay and nothing will be different even when someone tells you otherwise,
older and older I become, little does she know,
little does he know that tonight will carve out their existence in their minds until the end of the end,
gracious host, gracious again and again,
please, I beg you, lift up your voice to the ramblings of God,
he is there on the streets, in the market, in the bowling alley,
there is a great stirring in my soul, a level of transition,
the Spring has arrived, guitar and muscles fading,
justified beginnings come and go, here and there is the palace,
in moments now, as the music swells, the smell of gas and garden,
soon the commas will end, the induced coma will end,
frightened of the beginning, scared of the end,
littered among the next word and the last word,
I find the beginning:

“She sat on the lawn chair, a pile of magazines at her feet, the smell of grass, freshly cut, the fresh smell of spring. Her eyes are closed but she is not asleep. She wears a striped one piece, breasts of gold peeking out. Little words now to express my memory of her correctly. She sits, the angel of plastic. Sunglasses, a straw hat, a daiquiri in the holster. She sits and the sun perceives himself the victor of her pale skin. There is the occasional car, translucent to her perception.”

No, that is not the beginning. I do not even know this lady.
I will find it. Let me continue to search among these broken letters
until something comes to me again,
like a mother of two having trouble wrangling her small children,
like the handbag of the apocalypse: devouring the forgotten,
like the yeast of yesterday,
like the underlining metaphor in a sex ed class,
like the wasted wasteland of the internet,
like the recycled memory of the first day of kindergarten,
like the – have I lost you? Good. Now let us begin again:

“She uses the sponge to mop the floor. This is her life now, a modern Cinderella because of her father. Her apron says “Kiss the Cook” but she is neither cooking or does she have someone to kiss. She revels in the irony with a slight smirk on her face, though smirks are slight to begin with, aren't they? Her yellow gloves protect her sensitive skin from the harsh chemicals. The radio plays a tune of the current generation, which she is not a part of, though you would be hard pressed to guess her age. She does not lose sleep over her age, though she does lose sleep if her floor is not clean.

She yawns a stifled yawn and dumps the water into the sink. She looks outside at her lazy cousin who is asleep in the lawn chair again and steps carefully to avoid muddling the clean floor. My God, how her beauty makes me believe in you.”

I must interrupt again because this is going nowhere,
the clock ticks as your eyes tick across the page,
a mere wasted minute, but none the less we will begin again,
let me see if I can find a word or phrase
that might entice you to read further:

“Two Mormon brothers, dressed in their Sunday best on a Friday, cross the street to a small cottage with a girl in a one piece sunbathing in a lawn chair in the front yard. The taller of the boys gives a knock to the door. “Just a minute.” is the answer from inside. An eye comes to the peephole and then disappears. There is silence for a minute or two, so the brother knocks again. Nothing. They smile gently at each other and walk on.”

Hmm, yes. Now what we need is a deus ex machina.
Let me see if I can't stir one up:

“There is another knock on the door, but she ignores it. Silence except for the radio. Suddenly, the locked door flies open and Truth walks in with a scent of gin and pastrami.

'What have you got to drink?' Truth asks.
'I'm sorry?' she says.
'What have you got to drink?' Truth repeats with a sigh, holding the bridge of his nose with his index finger and thumb.
'We are fresh out.'
'Well, shit, lady. I need a drink or you need a drink. I'm loaded with triviality and suffering. Luckily, for the both of us, I carry.' He pulls a flask from inside his coat, slicks back his hair, and takes a pull. 'Okay, Hannah. It's Hannah, isn't it?' Hannah nods. 'I've come with some rather heavy news. You may want to sit down.'

Hannah sits, unquestioning. Her interest is fully piqued by this strange man. 'Today,' Truth says, 'is the last day of your life.' He pauses to let this process. 'Your organs will shut down tomorrow around one and you won't wake up from the coma. So, as they say, seize the day.' He gives a little bow, turns and leaves, closing the door behind him.

She removes her apron and lays down on the couch. 'At least the floors are clean,' she thinks.”

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Tuesday, April 5, 2011

Time will tell, time will toll, time will yell.


Goodness, how time is a bitch,
you relentless goddess of hunger,
a tell-tell hobberchord
like a mix of pleases and feasible entry.

Time will tell, time will toll, time will yell.
I am the benefactor of the word yes:
my life-vest is a blimp
and my youth in shambles.

Before yesterday, I was wondering,
and that gave me great heartburn.
There is little left to see, little by little
left to be thankful for, yes.

Honoring Pound and Eliot today,
I think to make an allegory
of a forgotten time and place
like the inside of a shoe on a Monday.

Boundless and tired, she sits
in a Victorian chair, velvet red
like her lips, a handful of cats
scattered around the room.

Waking from my waking, breakfast
comes in when I ring the bell.
I am a servant of my servant,
a master of my creased appendix.

Undoubtedly yours, yeast rises and sets:
this is a metaphor for something.
I cannot place my finger on it,
but I believe it has to do with sex.

Wasteful, wasteful – I plan and plan
and only became a man today,
my beard - a stain on my face.
I am the guitar of monotony.


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This work by Scott Stewart is licensed under a Creative Commons Attribution 3.0 Unported License.

Saturday, February 5, 2011

Missed Connections

Lady on the bus with the red outfit and large red hat: There is an exploit to the universe and you are the key.

Woman and man doing the crossword together on the park bench: Tumble with the inevitable chaos and drink in the pale liquor of the once forgotten world. Smudge your fingers with delight and lick the ink like a lollipop.

Man running through Balboa Park without a shirt: You are a cliche of your own devices, your muscles reflective and questioning in the afterthought of this run-on sentence.

Little girl with golden brown hair, holding your mother's hand in the grocery store with such a delicateness: Breathe deeply and open your eyes to the myriad of choices before you.

Couple making out next to a boarded up Blockbuster's: Kiss the nape of eachother's next until goose bumps appear.

Reader of this poem: Keep close to the ones you love; cherish the random encounters in your life because one day you won't wake up.

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This work by Scott Stewart is licensed under a Creative Commons Attribution 3.0 Unported License.